Charles C. Dawson (1889 - 1981) was an important African American designer, illustrator, and artist primarily active from the 1920s to 1940s in Chicago. Born in Georgia, Dawson attended the Tuskegee Institute, and the Art Institute of Chicago, worked as a Pullman Porter, and was a pioneer of African American art clubs and collectives in Chicago. Long-overlooked in the annals of design, in recent years, Dawson has finally received some of the recognition that he deserves. Recently, AIGA posted an online retrospective of Dawson’s work. Throughout his career, the prolific Dawson worked in commercial art, illustration, and fine art. Some of Dawson’s earlier designs were for packaging and advertisements for Valmor African American beauty and hair products, and some of these iconic images are Dawson’s most enduring in the public imagination. Pictured below is a draft of a full-page paste-up for an ad for Valmor products, as designed by Dawson.
Dawson’s iconic illustrations were featured in several recent Chicago exhibits, first 2015’s, “Love for Sale: The Graphic Art of Valmor Products” (Design Observer has a great walk through of this exhibit) and in 2018, “African American Designers in Chicago: Art, Commerce and the Politics of Race,” both at the Chicago Cultural Center. With a long history of design work in Chicago, it is perhaps not surprising to learn that Charles Dawson also had a connection to the 1933-4 A Century of Progress World’s Fair. Dawson was commissioned by the National Urban League to create a mural depicting the Great Migration for their display in the Hall of Social Science, entitled Negro Migration: The Exodus. Unfortunately, I have not been able to find a picture of this mural. However, one of Dawson’s other Century of Progress commissions gained even more traction.
In 1934, a large African American-focused pageant, “O Sing A New Song,” debuted at Soldier Field in the midst of the Fair, featuring the iconic poster above, designed by Dawson. Telling a dramatized history of African American history and culture, the pageant featured a large cast, as well as memorable performances by young choreographer/dancer Katherine Dunham, musician W.C. Handy, and entertainer Bill “Bojangles” Robinson. Unlike the 1933 African American Pageant at A Century of Progress, 1934’s “O Sing a New Song” was wildly successful, with a higher attendance and more community buy-in. The pageant’s poster, in particular, has stood the test of time, and is referenced as one of Dawson’s most iconic works. In 1933, Dawson also illustrated a children’s book about great figures in African American history, The ABCs of Great Negroes (as seen below). Dawson’s later career spanned the decades after the Fair and he served as the curator for the Museum of Negro Art and Culture and the George Washington Carver Museum from 1944 to 1951.